堀庭園（主屋）

The main building is an architecture from the Edo period, 1785. It has the style of a high-class samurai residence * 1. (* 1. In the Edo period, high-ranking people visited the mansion in the basket, and the wide special entrance where the fence can be placed is called a ceremony stand. (I was able to go in and out of the mansion and mansion without detaching.) The salon has a high ceiling and is well-suited to entertain guests. This hall can be divided into three spaces with a fence. Is the room at the back the upper room, the lower room at the center, and the room in front? A very elaborate setting can be seen in the upper floor, which welcomes the most prestigious customers. First, the space between the floors is an unusual form, and a school (hirashoin), which is usually made on the side wall that touches the corner between the floors, is made in parallel to the left of the same front wall as the space between the floors. It is made on the right wall that touches the corner between the floor. This is a fairly irregular setting and I personally saw it for the first time. Actually, the ridged ceiling of this tatami room is “floor insertion”. (* 2. The ceiling edge of the ceiling is approaching like a sword or sword between the floors that symbolize the patriarch. Originally very awkward, but the samurai is always prepared to die for loyalty. (Sometimes it was made in a samurai residence as a setting to express) There are shelves and tops on the floor placed on the right wall where the eaves do not insert, but the ground bag is not made and has the function of the floor The In other words, I think that the bad luck of floor insertion is distributed by creating another floor between which the heel does not insert. In addition, the most important symbol between the floors, the floor pillar, is located at the corner where the space between the floor and the side of the floor intersects at 90 degrees. Although it is a double norm, it may be a clever way of business for Horiya who has managed a mine for a long time. The space between the floors of Hira Shoin, parallel to the left of the floor, is the Komuro pattern familiar with the red-and-white plum blossoms of Kogata Ogata. This seems to be a source from the Noh music “Ayano Tsuzumi”. “Ayako” has been performed by Hosho-ryu since the late Edo period when this house was built, and since Meiji, performances may have spread to other schools and may have been highly topical. In addition, “Aya” means “Hishi”, so it was connected to the Horie family crest, Mitsubishi, and had a double meaning. (In addition to the high entrance of the common entrance other than the ceremony stand, a very high-class squirrel diamond lattice is shown to show respect for the guests.) Also, it is completely different from the setting of the hall of the study room and the floor insertion, and the floor of the upper parlor A very calm mountain water painting is drawn on the top of the sack, and in the center of the tatami room is decorated with a superb kumiko craftsmanship of “Tatsugai no Uta” as a symbol of marriage, Goji is the opposite electrode. (November 13, first year)