Hoonji - Ome

Seven Lucky Gods Approach

It is a big temple.

You can complete the cruise of the Seven Lucky Gods here in one place. ❗

It was a very beautiful temple, and I stopped and cut my shutter.

I went with my aunt's invitation. The priest was kind, and I thought that the wife should be polite.

On April 26, 2018, I stopped by the way of Shiofune Kannon. There is a statue of Nio in front of the mountain gate, and the temple grounds were a well-maintained and quiet temple. It seems that the red stamp has not been done. The Suikin Cave had a beautiful tone.

It is a temple of the Tendai sect that is rare in Ome City. It is located in the middle of a residential area and the roads around it are narrow, so you will have a hard time finding the wall. However, the temple area is well-maintained and beautiful. “Jizo-do” in the precincts is designated as a cultural asset of Ome City because the Momoyama style remains well.

Hoonji Temple is the only ancient temple of the Tendai sect in Ome City, and is the last temple of Jindaiji Temple in Chofu City. In the Tensho era (1573-1591), the lord of Fujihashi Castle, Hirayama Echizen Morishigekichi, revived, and what was formerly called Higashi Akatsukiyama was changed to Fujihashiyama. In 1591, a red seal of 10 stones of the temple territory was sent. The current main hall was rebuilt after a fire in 1797 in the latter half of the Edo period. The border area was designated as a historic site in 1953 because it is the only temple of the Tendai sect in the city and its history has been handed down from ancient times. The Jizo-do on the left side of the main hall was designated as a tangible cultural property of the city in 1968 because its construction date is clear from the numerous building tags and it shows the characteristics of the architectural style of the Momoyama period. In 1947, it was dismantled, restored and repaired, and it changed from a Japanese mushroom to a Japanese-style copper plate roof. Inside the Jizo-do, the wooden life-extending Jizo is stable. It is inscribed in the womb that it was donated by Mr. Mita and his son, Masanori and Kensho in 1512. In the womb, there is also a self-written strip of paper that says, "Tanomuzoyo, I want to wear the name of the Buddha, who will live for a long time." In addition, among the many Aoishi pagoda (plate monuments) in this temple, the two in the graveyards of successive priests are excellent in production and the inscription is clear, so they are designated as tangible cultural properties of the city. It has been. Genre Buddhist temple