アートラボ新大阪

I began to want to go to National Art University from about the spring of high three, and I was about to study drawing for the first time at that time I decided to visit the other major preparatory school and the Art Lab, which gave me the best instruction of visiting the 4 famous drawing classes. He taught me carefully and with enthusiasm, and I was able to pass the national exam in a short study period of 11 months. I thought it was around here and there, but I think the drawing power of Art Lab is Pikaichi I believe it was good to believe in the words of the teacher who said "I would pass if I said you came from home" I was attracted by the bright personality of the teacher, I felt almost no stress of the exam, I was able to face my own picture freely, I had a good time The leadership is clearly shown in the results. Thanks to the Art Lab, I became more fond of painting

In the examination for Sakuya and this flower junior high school, I was able to pass safely thanks to the teacher's hot guidance and accurate advice (direction of eyes, hand movement etc ...). He told me the basics so he said, "I was calm and able to work hard." I was able to pass because of the teacher's guidance! ! ! We are still looking for a higher level and we are going to the classroom.

From my inexperience, I was able to pass a public school in 3 months. (Free course selection) Both experienced and inexperienced people can receive accurate guidance. I was able to identify the current level of the individual and change the teaching points. Not only drawings, but also a wide range of colors and solids. In particular, 3D is a teacher who was an expert in sculpture and was active as a professional, so I highly recommend those who have 3D in the subject. I also think that the three-dimensional shape helped improve my drawing. For me, who used to take clay, I think meeting this classroom is the decisive factor in passing.

I was an inexperienced person who had only studied art until the junior high school class, but thanks to the guidance of the teachers, I was able to pass the art school entrance exam. I chose it after experiencing some other art school prep schools, but the deciding factor was that I could teach until I was satisfied with the specific guidance. Rather than doing predetermined tasks all at once, they will consider the tasks according to the individual level. I chose a free course when I took the art school exam, and after passing it, I went there once a week to improve my ability. After passing the exam, I didn't need to take the exam, but I was able to teach plaster drawings and transparent watercolors that I was interested in. When I entered university, I was surprised to find that all my classmates didn't like drawing, but when I heard the story, I heard that it was hard for me to get rid of it at other prep schools. I'm glad I chose Art Lab Shin-Osaka.

Don't be fooled. The gentler the person, the more silently they leave. There is no outstanding passing record. The price, quality of instruction, learning environment, etc. are all inferior to other art schools. I was taking the university entrance exam course, but I felt uncomfortable with the instruction, so I changed to another painting school. Details follow below. Please read to the end. First, about the price. I took a free course (day or night) for 38,000 yen / month. At first glance, it looks a little cheaper than other art schools, but if you can only spend about 3 hours a day, it's probably a fairly expensive category. (I was specially 6 hours.) In addition, the cost of drawing paper is about 60 yen per sheet, which is required in cash each time, which is several tens of yen higher than the cost price. (I heard that it is a labor fee. Most drawing schools do not take the drawing paper fee because it is included in the monthly fee.) The summer class is just a name, and it is necessary to add nearly 40,000 just to the production format, and this continues in winter, just before, and spring. (In my case, it sometimes cost 3000 yen to call it a mock exam, but the content of both the summer class and the mock exam was only "solving the same problem together" that other cram schools do every day.) From the above, I personally think that the major art school is cheaper. Next, about guidance. First of all, there is very little information about universities, including Kyoto City University of Arts. (There is no detailed university explanation.) I have not taken care of the department (management of the score of the mock exam, etc.). And other than the head of the school, he is a student part-time job with little teaching experience. (Some of the part-time students have made me better, and I am very grateful to them, but after all, I am not every day because I am a part-time job, and the structure of the art school that relies on part-time jobs is not strange in the first place. Is it?) Besides, not to mention the deterioration of quality caused by seeing a classroom with a mixture of adult courses, children, junior high school exams, high school exams, and university exams at once, basically only one of the instructors, rarely two. People are turning the classroom. (It's scary that each student who attends has a life.) In addition, most of the reference materials used were those from other cram schools that were picked up from the Internet. As for the assignments, I had an idea other than the basic assignments, or I heard the problem of the painting school that was based on my part-time job and used it as it was. (In the first place, it is a painting school where you can hardly teach basic knowledge about colors and solids, and you do not even know the setting of the light source for drawing.) At first, the guidance may seem generous, but gradually it became loose. It is the thickest before entering. (Some of the instructors did not have a teaching conversation for several months except when they went to hear from themselves.) Regarding the learning environment, it is enough to talk for an hour just by looking for rough things such as the small number of motifs placed, the fragility of the instructors who are not suitable for the diversity of the mixed courses, and the small number of competitors. Let's go. (It's not 5 minutes from Shin-Osaka station, it's hard to have a Japanese style toilet, and Michael Jackson's song that is playing forever is stuck in my head.) Anyway, if you are looking to join this art school, you should look at other art schools without any hassle. Although I was enrolled for a short time, the lost time and money did not come back, and I saw comrades who noticed after losing a considerable amount of time than myself lost their way. I write this, even if I know who I am, for those who are about to take on new challenges. Of course, there may have been some students who liked this art school, but the students who disliked it went out silently, so someone had to say the bad part. (In the first place, I was going to leave silently, because the head of the school replied to all the other reviews.) As you can see from moving to another cram school, the basics of taking an examination resonate with your own sensibility more than you think. I grow up in a painting school with little knowledge and experience, but it is natural that I am a person with little knowledge and experience. On the other hand, studying under a talented teacher at a cram school with abundant knowledge and experience is a truly irreplaceable experience for both beginners and advanced students. I'm not telling you not to go. I want you to think carefully before deciding. Please do not be fooled by Google's evaluation and make the right decision.